![]() So get ready to blast off in a rocket fuelled Starfield performance preview. The series is created by Marvel Animation and Passion Studios with animation done by Fortiche Production in France. It premiered on March 10, 2017, on Disney XD. We also compare the improvements over the previous showing, enhancements within the engine, and much more. Rocket & Groot is an American animated television series based on the characters Rocket Raccoon and Groot who appeared in comics published by Marvel Comics. The biggest question after the show(s) was: why is it 30fps on Xbox Series X and Series S and not 60fps? In this IGN Performance preview, we dive into the details shared by the team, the revealed PC minimum and recommended specifications, and how the Creation Engine 2 works, comparing the previous games to gauge some of the potential reasons why the team might have chosen 30fps. With Starfield being the center of the Xbox 2023 Showcase last week, Bethesda gave us a deep dive into one of the biggest games this generation. Too often shadow and color gradients take the place of actual environments. The main area that needs to be addressed is the lack of background details. Andrade's lithe figures are especially well-suited to the cosmic realm, where traditional superhero physiques make way for bizarre monsters and anthropomorphic creatures. The frenetic line-work and sketchy quality to his pages ensure that this series doesn't look like any other cosmic Marvel book on the stands. While Andrade can't quite capture the stylish charm of Young's cover art, his work is at least in the same ballpark. That rift could easily form the backbone of this book going forward. This issue achieves that both by playing up the mystery angle and suggesting that the Rocket/Groot bromance isn't as solid as it once was. Groot and Rocket are best friends and partners, and their designs in the upcoming Marvels Guardians of the Galaxy show why they are inseparable. There are enough humor-oriented marvel books that no series can thrive without some level of depth or pathos. There's a well-honed sense of humor to the book - a little dark and sardonic but still managing an all-ages feel. So we have Groot coming into Framestore’s London studio and interviewing some different people like our key lookdev artist, our animation supe, about Rocket with his trademark ‘I am Groot’. It certainly helps that the creators have had ample time to become comfortable with this corner of the Marvel U. Groot obviously only says, ‘I am Groot’, but we could run with that and incorporate any subtitle we wanted. In a time when there are more Guardians comics than ever and many are struggling to find their own voice and purpose, Rocket Raccoon and Groot finds its niche easily enough. It's an amusing gag that the creators lean on just long enough that it doesn't become played out. And to fill their void, Young and Andrade introduce a new duo in the form of Pocket the talking squirrel and his partner Shrub. The mystery of what actually happened to the characters and what they're up to forms the basis of this first issue. The galaxy at large and even their own team believe Rocket and Groot to be dead. Where Rocket is the new leader of the Star-Lord-less Guardians in the core GotG comic, he and Groot find themselves in a far different situation in this book. ![]()
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